Showing posts with label Brown Girls' Chronicles. Show all posts
Showing posts with label Brown Girls' Chronicles. Show all posts

Monday, March 16, 2009

Yolanda Nieves: documenting the daughter's of the diaspora



















I had the opportunity to sit down with Yolanda Nieves a couple of weeks ago in anticipation for our Proyecto Latina March 16th feature of Brown Girl Chronicles. It was a couple of days before they premiered the sold-out show and I was invited to stick around after our chat to see a dress rehearsal of the show. What a treat, I can't wait to check them out again tonight--and I know that they have recently scheduled more show dates for May.

Yolanda and the inter-generational Vida Bella Ensemble allowed me back-stage access and indulged all my questions. Below is the my interview with Yolanda Nieves. She speaks about how Brown Girl Chronicles emerged, the idea of permission is explored, and you learn how she decided to focus her lens on the experience of second generation Puerto Rican women from Humboldt Park—-she calls them daughters of the diaspora* whose families immigrated from Puerto Rico to Chicago through Operation Boot Strap**.

Part I: Interview with Yolanda Nieves, 8:18






Part II: Interview with Yolanda Nieves, 7:54






Part III: Interview with Yolanda Nieves, 5:32







*The term diaspora refers to the movement of any population sharing common ethnic identity who were either forced to leave or voluntarily left their settled territory, and became residents in areas often far removed from the former. Diasporic cultural development often assumes a different course from that of the population in the original place of settlement. It tends to vary in culture, traditions and other factors between remotely separated communities. The last vestige of cultural affiliation in a diaspora is often found in community resistance to language change and in maintenance of religious practice.

**Operation Bootstrap or "Operación Manos a la Obra" is the name given to the ambitious projects which industrialized Puerto Rico in the mid-20th century. The goal was that the densely populated island could not subsist on an agrarian system, so the government encouraged the establishment of factories. Puerto Rico enticed US companies by providing labor at costs below those on the mainland, access to US markets without import duties, and profits that could enter the country free from federal taxation. Through this project, a rural agricultural society was transformed into an industrial working class. Unfortunately by the 1960s, Operation Bootstrap was increasingly hampered by a growing unemployment problem thus leading to the forced migration that Yolanda Nieves spoke about.

Wednesday, March 11, 2009

PROYECTO LATINA - MARCH










The Brown Girls’ Chronicles: The Director’s Cuts Otherwise Known as “Antojitos”

Springtime is right around the corner and Proyecto Latina has some wonderful surprises for you! We KICK OFF our March Proyecto Latina with a special Director's Cut from the
Brown Girls' Chronicles so even if you missed their sold out show you can still check them out.

The Brown Girls' Chronicles: Puerto Rican Women and Resilience is a
collection of the stories,voices and songs that long to be heard; the stories of how race, ethnicity, gender, and colonialism shape the lives of marginalized women.

Proyecto Latina Co-Producer Irasema Gonzalez will be doing
an interview with the lovely and talented ladies of the BrownGirl's
Chronicles. You can listen to the interview Sundays at 6 p.m. or
check back on the Proyecto Latina website for the podcast.

Monday, March 16 @ 7 p.m. -FREE!
Radio Arte
1401 W. 18th Street
Chicago, IL 60608
http://www.mapquest.org
Near blue line / 60 Blue Island Bus/18th St. Bus
Gotta a question? Info@proyectolatina.org

Written and directed by Yolanda Nieves, The Brown Girls'
Chronicles are the stories of second generation Puerto Rican
women who in their day-to-day lives are the embodiment of
struggle for independence of mind, soul, heart and body.

The Brown Girls' Chronicles is the long-time
realized desire of Nieves to continue the construction
of her identity, a desire shared by her generation and
by the youth of Chicago too. The show, based on the
collection of interviews from scores of second
generation Puerto Rican women, is perfectly described
as "…a vibrant and truthful perspective of the Puerto Rican
woman's experience in Chicago...
" by cultural/artistic activist Carlos Flores, "...it eradicates
an existing void."

The Vida Bella Ensemble features:

Laura Magdalena Nieves is a third generation Puerto Rican
woman born and raised inChicago. Laura is pursuing her
bachelor’s degree in zoology and is a member of Phi Theta
Kappa, a national honor society. She is also a spoken word
artist and a sketch artist. Laura has danced with Grupo Yuba,
a bomba-plena dance troupe from Chicago, as well as with Spicy
Dance Rhythms, the all women’s dance troupe at Wright College.
Two years ago she made her debut in the play “Brown Girls
Singing.” Laura is excited to be working with the amazing cast of
“The Brown Girls’ Chronicles” and is grateful for the influence strong
Puerto Rican women have had in her life.

Anabel Duarte is a second generation Puerto Rican
woman and isproud of having been born and raised in
Humboldt Park. A Gordon Tech High School graduate,
Anabel is currently attending Northeastern Illinois University
and majoring in business management. “The Brown Girls’
Chronicles” is Anabel’s first production. Anabel is excited
and thankful to be part of this endeavor. It is her desire that
women everywhere can connect with the universal message
of the Brown Girl Chronicles.

Natalie Mia Bermeo is a second generation Puerto Rican
woman with a strong passion for acting and the performing arts.
A sophomore at Carl Schurz High School, Natalie has been
acclaimed for her work in improvisational theater. A member of
Las Caras Lindas, a mentoring program for young Puerto Rican
women established this year in the Humboldt Park community,
Natalie is delighted to be a member of the Vida Bella Ensemble,
and is determined to pursue acting for many years to come.

Yolanda Nieves is a second generation Puerto Rican
woman born and raised in Humboldt Park. She is the
“The Brown Girls’ Chronicles” playwright and director.
Yolanda is also an award winning poet (The Jane’s
Stories Foundation award winner 2006) and published
her first collection of poems, Dove over Clouds, in 2007.
In 2007, Yolanda successfully co-wrote and co-directed
her first production, “Brown Girls Singing” which was
successfully staged at University of Chicago and Jane
Addams’ Hull House. She has also performed parts of the
play to great acclaim at the University of Manchester, England;
the University of Guanajuato, Mexico; and the University of
Rio Piedras
in Puerto Rico. Yolanda performs her poetry at
various Chicago venues and is an active member
of the Neighborhood Writing Alliance-Humboldt Park Branch.
She holds a B.A. from Loyola University, an M.A. from Loyola
University,
an M.A. from Northeastern Illinois University, and is currently
a doctoral candidate at National-Louis University. She is also
a Diversifying Faculty in Illinois Fellowship winner. Yolanda is
grateful for the circle of women, those of the past, present, and
future, and all the godmothers and godfathers that have sustained
the creative integrity of “The Brown Girls’ Chronicles: Puerto Rican
Women and Resilience.”

Diana Cruz is a third generation Puerto Rican
woman. She is honored to be part of the Vida Bella
Ensemble and performing in the Brown Girls’ Chronicles.
A Chicago native, she holds a B.A. in Communications and
is pursuing her Master’s degree at Spertus Institute. She is a
proud member of Saboreando Obras Latinas (S.O.L.), and
independent publishing press, and is an active participant of
the Neighborhood Writing Alliance. Diana also sings with the
Chicago Puerto Rican Community Chorus. She has been
published in several issues of the Journal of Ordinary Thought
and Area Magazine. Diana sends her love and gratitude to
her S.O.L. sistas, her family, and husband.

Esmeralda Cuevas is a second generation Puerto Rican
woman, born and raised in Chicago, Illinois and joins Vida
Bella Ensemble as a first-time performer. She has always
had an interest in theatre performance, and has acquired
valuable experience through various acting classes and
workshops at both Columbia College and Act One Studios.
Aside from her theatre aspirations, Esmeralda has also
founded her own dance instruction company – Move UR
Hips, Inc. – offering private dance lessons in non-competitive
Latin dance styles. She is also a member of Las Divas Promotions,
with fellow cast member Yvonne Nieves, providing public relations
and marketing services to local businesses. In addition to these
various interests and commitments, Esmeralda spends her daytime
hours working as an assistant for the Human Resources department
of The Marmon Group/ Chicago Public Schools.

Marisel Melendez is a second generation Puerto Rican mother,
daughter, sister, poet, and author. Her current work is an unpublished
manuscript in progress that relates her personal experiences of her
life’s challenges as a Puerto Rican woman growing up in Humboldt
Park. Marisel has a passion for the spoken word and she is the founder
of the Amaryllis Book Club, where young Latinas in middle school get
the opportunity to put their thoughts into poetry. She is a proud member
of Saboreando Obras Latinas (S.O.L.), an independent publishing Puerto
Rican women’s press. As a member of the Neighborhood Writing Alliance
she has had several of her poems published in The Journal of Ordinary
Thought, and most recently in Area Magazine.

Yvonne Nieves is a third generation Puerto Rican and a budding
entrepreneur. After working as an organizer for yearsin the Puerto
Rican community and obtaining her degree in Anthropology, she
realized that her passion was working in the music industry. She is
the head of Las Divas Promotions and works as an independent
contractor, providing support and resources to records labels, local
bands and small businesses. You may recognize her for her role as
Tuti in the 2004 film "Urban Poet" produced by New Film Productions.

Sandra Posada is a second generation Puerto Rican
woman born and bred in Humboldt Park. She is a teacher,
published artist/illustrator, artisan; creator of Coqueta Creations
by PiXie- jewelry line for women. Sandra has been a Bilingual
educator within the Chicago Public Schools for 12 years
and was recently nominated for the Illinois Golden Apple Award.
Sandra successfully co-wrote her first production, "Brown Girls
Singing" which was successfully staged at University of Chicago
and Jane Addams' Hull House. Sandra performs her poetry at
various Chicago venues and has presented her art work at various
local venues including the University of Illinois, Chicago and
the Symposium for Women of Color in 2008. She holds a B.A.
from Roosevelt University and is currently a working on her M.A.
in Bilingual/ Bicultural Education at DePaul University. Sandra
believes strongly in that art can educate. Sandra hopes that everyone
who comes to see The Brown Girls Chronicles will walk
away with a fresh perspective of who "second generation Puerto
Rican women" are.